PADOVA

VENEZIA

ROMA

and

MILANO{Monday - Thursday 0900-1730, Friday 1100-1730, Saturday 0900-1700, Sunday 1300-1700; Chiostro di Santa Maria Novella (Green cloisters): Monday, Friday, Saturday, Sunday 1000-1600}- A Dominican church (therefore very large, to meet preaching needs), begun in 1246

 

http://www.paradoxplace.com/Perspectives/Italian%20Images/images/Firenze/Santa%20Maria%20Novella/800/SMN-Space-BR800.jpg

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https://upload.wikimedia.org/wikipedia/commons/0/0f/Giotto%27s_campanile-263.jpg

Donatello and Michelozzo; and the Romanesque decoration of the walls (especially the simplified animal figures and geometric designs on the colonnade level) are lovely.

 

Piazza della Signoria - a place you need to stroll through a couple of times, despite the crowds of tourists to be found here.

 

Loggia dei Lanzi - 14th century Gothic loggia full of basically bad sculpture.

 

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http://www.museumsinflorence.com/foto/opera%20s.croce/image/navebig.jpg

http://www.casasantapia.com/images/city/firenze/santacroceinterior200.jpg

 

The Cappella Bardi, the closer to the altar,ft:.5in'> 

http://www.casasantapia.com/images/art/giotto/santacrocechapels/bardi1700.jpg

 

arehttp://www.wga.hu/art/g/giotto/s_croce/1peruzzi/evang3.jpg

 

The action is framed and balanced by the two groups of figures, one on either side of the main action, and each contained within its own architectural space. 

Ghiberti, Sacrifice of Isaac, Competition Panel

  

http://upload.wikimedia.org/wikipedia/commons/9/95/St_George_Donatello_Orsanmichele_n2.jpg

 

Large Photo

  

http://www.wga.hu/art/d/donatell/1_early/orsanmic/1georg_6.jpg

 

Note the incredible space and depth cid:BCCCEC30-3713-4641-88AF-01F7204F46D8@ne2.client2.attbi.com

 

Notice the horse, and especially how well he is able to sculpt its head using virtually no actual depth at all onn style='font-size:12.0pt;mso-bidi-font-size:10.0pt'> 

http://www.viajesturismo.info/wp-content/uploads/2011/06/Bas%C3%ADlica-de-San-Lorenzo-de-Florencia.jpg

 

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You will note that when viewed head-on, the body of the prophet dissolves and loses its strength and three-dimensional presence; the drapery becomes shallow and loses its power; and style='font-size:12.0pt'> 

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was begun in 1424 by Masaccio working together witze:12.0pt'> 

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the perfect use of linear perspective in thee:92.0pt;display:none;mso-hide:all;mso-no-proof:yes'>http://www.museumsinflorence.com/foto/Brancacci/image/ritratto.jpg

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http://www.museumsinflorence.com/foto/Brancacci/image/pietro2.jpg

 

 

and the four figures at the far right (which are actually portraits of [from left to right] Masolino, Masaccio, Alberti, and Brunelleschi, with the self-portrait of Masaccio facing out at the viewer).

 

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Brunelleschi has also added a rounded http://upload.wikimedia.org/wikipedia/commons/6/6f/San_Miniato_al_Monte_Florence_Italy.jpg

 

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If you have time, observe a mass being said to get the real feel of the place. http://upload.wikimedia.org/wikipedia/commons/thumb/7/71/Uccello_Battle_of_San_Romano_Uffizi.jpg/1280px-Uccello_Battle_of_San_Romano_Uffizi.jpg

 

This magnificent painting, almost abstract in its rhythmic patterning, is the b